더 작아지고 컴팩트해져 특히 극장, 예배당, 공연장 혹은 클럽처럼 장소가 제한되어 있는 위치에 아주 적합한 Vi 시리즈의 확장판이라고 할 수 있겠다 1.5m도 채 안 되는 Vi4 는 24채널 페이더로 48인풋을 제공하며 masters, groups, auxes 혹은 matrix 의 사용을 위한 27개의 아웃풋 버스들이 제공된다. Vi6의 특징들중 높은 평가를 받은 VistonicsTM II 터치 스크린 사용자 인터페이스, Soundcraft FaderGlowTM fader function display 들은 모두 Vi4로 이어졌다. 또한 Vi4 는 기본적으로 각 채널마다 30-band BSS AudioTM 그래픽 이퀄라이저가 장착되고 더불어 8개의 강력한 Lexicon® Effects를 추가한 새로운 프로세싱 카드 옵션도 장착 가능하다. Only months after the introduction of the highly successful Soundcraft Vi6™, the Vi Series of digital live sound consoles has been extended with the new Soundcraft Vi4 model, offering all the functionality and facilities of the Soundcraft Vi6, but in a smaller, more compact footprint more suited for space-conscious applications such as Theatres, Houses of Worship and venues or clubs with space-limited mix positions. .gif)
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Soundcraft Vi6™의 성공적인 시판이후 등장한 Soundcraft Vi4™는 기존 Vi6의 기능성과 편의성을 제공하면서도
In just under 1.5m/5 feet, the Soundcraft Vi4 offers access to 48 inputs on 24 faders, with a total of 27 output busses available for use as masters, groups, auxes or matrices. All other features of the Soundcraft Vi6, such as the highly acclaimed Vistonics™ II touch-screen user interface, Soundcraft FaderGlow™ fader function display and the unequalled audio quality are inherited by the Soundcraft Vi4.
Max number of simultaneous mixing channels
48 mono inputs into 27 Outputs. Pairs of mono inputs can be linked to create stereo channels.
Insert points
24 insert send/return pairs can be configured (using available I/O) and assigned to any of the 48 inputs or 27 output channels.
Direct Outputs
48 input channels can have direct outputs in addition to their internal bus routing, assuming sufficient I/O is available (eg optical MADI card).
Busses
24 Grp/Aux/Matrix, plus main LCR Mix and LR Solo busses (maximum of 16 matrix outputs can be configured).
Connection from local rack to stagebox: Standard fit: Cat5 or Cat7 cable, with Amphenol RJF connectors. Optional: Fibre Optical interface card (additional cost).
Max distance, local rack to stagebox: 80m using flexible reel-mounted Cat5 cable, 130m using Cat7 permanent installation cable.
GPIO facility: There are 16 GPIO contact closure inputs and outputs on the local rack, and 8 inputs and outputs on the stagebox.
MIDI: There is 1 MIDI In and 2 MIDI Outs on the rear of the control surface.
Controls for Mute Group (x 4) and VCA Group (x 16) assignment. Controls for assignment of Vistonics rows to bus sends (when channel parameters are not selected to Vistonics). Snapshot automation controls. Talkback controls. Controls for Monitor Output level, phones level and Solo Trim and blend level.
Local I/O | 16 line in, 16 line out + monitors, 8 AES in/out, 64 Madi in/out |
Stagebox I/O | 48 mic/line in, 24 line out |
Stagebox I/F | Cat5*1(*2 for redundancy or 96k) |
Max Simul I/Ps | 48 mono (+27 bus in) |
Busses | 24 Grp/Aux Mtx + LCR |
Outputs | 24 + 3(+inserts & dir outs) |
Sample Rate | 48kHz(96k extra cost) |
Input EQ | 4 band parametric |
Dynamics | Exp/Gate + Comp + Lim |
O/P EQ | 4 band Parametric |
FX | 8 * Lexicon PCM81, 30 band GEQ |
I/P Faders | 24 |
O/P Faders | 8+3(LCR) +1(Monitor) |
Channerl Strip | 4 + Vistonics ii16-encorder |
Encorder Rows | 3(including 2 Vistonics) |
I/P Fader Paging | 2 fixed pages of 24, plus 3 user def order |
Redundant PSUs | Included |
Other Features | HIQNET(예정), Fader glowTM |
Advantages | 24 faders, Vistonics, 1-touch action to any input or bus, Ability to work with Multiple Users. Proven Studer DSPS core |
Disadvantages | Channel count fixed at 48 |
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